As I worked on this post, I knew that there would be some
dissenters with my perspective and interpretation of the sub-genre. Steampunk has
some fierce advocates, purists even, who are appalled when someone dares to
modify the sub-genre they identify so strongly with.
Just like purists in the cozy mystery are upset with the
increased violence and sexuality in cozies, so, too, are some of the steampunk
people upset with the natural evolution and extension of their sub-genre. Really,
all I can say is, get over yourselves. Writers are going to mess with
sub-genres and cross-blend genres and change the definition. It happens. And
that’s exactly how steampunk was created by blending Gothic elements with the
supernatural and other features to create something new.
Steampunk mysteries are categorized as speculative fiction.
Speculative fiction, a term created by
Robert Heinlein in 1947, is fiction with
supernatural, futuristic, and/or fantastical elements. You might wonder why we
need a term called “speculative fiction” since we have genres for paranormal,
science fiction, fantasy, and horror. Speculative fiction is not clearly one or
another of these, rather it blends sub-genres.
This sub-genres of steampunk mystery shares, with next week’s
urban fantasy mystery, the distinction of being outliers in the mystery world,
both because of subject matter and because they have relatively fewer readers
than the other subgenres.
Like the other sub-genres, steampunk and urban fantasy
novels owe a debt to the basic elements of the traditional mystery. Nevertheless,
each has its unique elements as well. So this week, we deconstruct steampunk
mysteries. Come back next week for urban fantasy mystery elements.
1) The mysteries are a puzzle to solve.
2) All clues are revealed to the reader but obscured with
red herrings and false leads.
3) These mysteries feature a murder (most often) or a crime
of great substance.
4) The sleuth may or may not be a professional.
5) The power of reasoning is trusted to restore order and
solve the puzzle.
6) Violence often takes place “on stage” with varying
degrees of explicit violence or gore described.
7) The murdered person may or may not have been a character
in the mystery before death.
8) The mystery uses plot devices to further the confusion of
clues, suspects, and timelines.
9) The language of sleuth and suspects is closer to
colloquial use and reflects social status.
10) The villain is the intellectual equal of the sleuth.
11) The murder/significant crime occurs near the beginning,
often in the opening pages. Usually there are multiple crimes.
Additionally, to be a steampunk
mystery:
1)
Most are set in a futuristic or historical time
period and are often a hybrid genre.
2)
Steampunk is a sub-genre of science fiction
featuring steam-powered machines as technology.
3)
Often steampunk mysteries are alternate
histories of what might have been or are post-apocalyptic tales when people had
to go back to steam.
4)
Fictional machines are created and used. “Contraptions”
are common.
5)
Steampunk mysteries are often a series.
6)
Steampunk is a re-imagining of a world where
there was never electricity.
7)
In steampunk place is less important than time.
8)
Nostalgia is an important element. Men and
women’s roles are clearly defined, manners matter.
9)
In the steampunk world, wood, copper and other
natural elements are used. There are no plastic or fossil-based products.
Steampunk Mysteries
to read:
BecMcMaster--The
Curious Case of the Clockwork Menace (London Steampunk) Michael Corlim--Bartleby and James: Edwardian Steampunk
Chronicle (Galvanic Century Book 1)
Abigail Blanchet--Lady
Sophia-Part 1-Death in Winter: A serial steampunk murder
intriguing post.
ReplyDeleteThanks, Cathy. I personally don't write them, but they are an interesting little addition to the mystery field. So glad you stopped in and commented.
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